Archives
- 01/01/2004 - 02/01/2004
- 02/01/2004 - 03/01/2004
- 03/01/2004 - 04/01/2004
- 04/01/2004 - 05/01/2004
- 05/01/2004 - 06/01/2004
- 06/01/2004 - 07/01/2004
- 07/01/2004 - 08/01/2004
- 08/01/2004 - 09/01/2004
- 09/01/2004 - 10/01/2004
- 10/01/2004 - 11/01/2004
- 11/01/2004 - 12/01/2004
- 12/01/2004 - 01/01/2005
- 01/01/2005 - 02/01/2005
- 02/01/2005 - 03/01/2005
- 03/01/2005 - 04/01/2005
- 04/01/2005 - 05/01/2005
- 05/01/2005 - 06/01/2005
- 06/01/2005 - 07/01/2005
- 07/01/2005 - 08/01/2005
- 08/01/2005 - 09/01/2005
- 09/01/2005 - 10/01/2005
- 10/01/2005 - 11/01/2005
- 11/01/2005 - 12/01/2005
- 12/01/2005 - 01/01/2006
- 01/01/2006 - 02/01/2006
- 02/01/2006 - 03/01/2006
- 03/01/2006 - 04/01/2006
- 04/01/2006 - 05/01/2006
- 05/01/2006 - 06/01/2006
- 06/01/2006 - 07/01/2006
- 07/01/2006 - 08/01/2006
- 08/01/2006 - 09/01/2006
- 09/01/2006 - 10/01/2006
- 10/01/2006 - 11/01/2006
- 11/01/2006 - 12/01/2006
- 12/01/2006 - 01/01/2007
- 01/01/2007 - 02/01/2007
- 02/01/2007 - 03/01/2007
- 03/01/2007 - 04/01/2007
- 04/01/2007 - 05/01/2007
- 05/01/2007 - 06/01/2007
- 06/01/2007 - 07/01/2007
- 07/01/2007 - 08/01/2007
- 08/01/2007 - 09/01/2007
- 09/01/2007 - 10/01/2007
- 10/01/2007 - 11/01/2007
- 11/01/2007 - 12/01/2007
- 12/01/2007 - 01/01/2008
- 01/01/2008 - 02/01/2008
- 02/01/2008 - 03/01/2008
- 03/01/2008 - 04/01/2008
- 04/01/2008 - 05/01/2008
- 05/01/2008 - 06/01/2008
- 06/01/2008 - 07/01/2008
- 07/01/2008 - 08/01/2008
- 08/01/2008 - 09/01/2008
- 09/01/2008 - 10/01/2008
- 11/01/2008 - 12/01/2008
- 01/01/2009 - 02/01/2009
- 04/01/2009 - 05/01/2009
- 07/01/2009 - 08/01/2009
- 09/01/2009 - 10/01/2009
- 10/01/2009 - 11/01/2009
- 11/01/2009 - 12/01/2009
- 12/01/2009 - 01/01/2010
- 03/01/2010 - 04/01/2010
Utopian Turtletop. Monsieur Croche's Bête Noire. Contact: turtletop [at] hotmail [dot] com
Tuesday, August 07, 2007
When I read last year in PostClassic that composer James Tenney had died (and you can hear excerpts from a piece by him here), I checked the library to see what music of his they might have, and found this gorgeous CD of piano duets played by a duo calling themselves Double Edge -- Edmund Niemann and Nurit Tilles. Tenney's piece is a lyrical, dissonant, quasi-minimalist piece of loveliness in arch form. The CD's pieces by Meredith Monk, Ellington & Strayhorn (the "party piece" they wrote to play together, "Tonk"), Paul Bowles (with a Satie-esque waltz), and Morton Feldman are equally gorgeous. Tenney's piece "Having Never Written a Note for Percussion," which I've only heard in Sonic Youth’s arrangement, is equally gorgeous and lyrical, and also richly satisfying in an arch form, starting quietly, building to a peak, and gradually subsiding to its initial level, though not identically pitched. I don't know why I find his arches so satisfying. I want to hear more of his music.
Comments:
You might find Tenney's arches satisfying because they are so clear and uncluttered. For many of his compositions form is a singular conceptual focus. I recommend "Critical Band" - which is on a Relache CD of the same name. The HatArt releases: _Forms 1-4_ and _Pika-Don_ are also great. And there's a good version of "Having Never Written A Note for Percussion" on the _Postal Pieces_ double CD.
Tenney remains a significant influence from the four years I studied with him. His gentle prodding to think deeply about musical parameters continues to have a lasting impact. And his music cuts right to the core of human perception with so much elegance. It was a privilege to be taken under his wing as a student and as a friend.
Post a Comment
Tenney remains a significant influence from the four years I studied with him. His gentle prodding to think deeply about musical parameters continues to have a lasting impact. And his music cuts right to the core of human perception with so much elegance. It was a privilege to be taken under his wing as a student and as a friend.
